If you've ever seen Disney Channel's "Coop & Cami Ask the World," you know 13-year-old Ruby Rose Turner can bust a move. And having appeared on "Dancing with the Stars", we're certain Ruby has a lot more moves that are just waiting to be performed. So when we heard she released a dance video we lost our chill. Now the dancing machine wants to help you learn the moves to Ruby Rock.

In her newly released video tutorial Ruby and her dance crew demonstrate how to do everything from the Dust Off to the Wiggle Wop. They even break down the featured dance step of the video, known as the Ruby Rock. And we have to give a shoutout to our fave dance darling (and January 2018 cover star) Charlize Glass who completely owns these moves with a flair that's all her own. With dance instructors like this, there's no way you won't nail this fun and fab choreography. Check out this video and see if you have what it takes to Ruby Rock.

How to Ruby Rock! | Coop & Cami Ask the World | Disney Channel www.youtube.com

You can catch Ruby's original routine here.

Ruby Rose Turner - Ruby Rock www.youtube.com

In our "Dear Katie" series, former NYCB soloist Kathryn Morgan answers your pressing dance questions. Have something you want to ask Katie? Email dearkatie@dancespirit.com for a chance to be featured!

Dear Katie,

I can't stop looking at myself in the mirror during class! My teachers are always calling me out for "mirror face." How can I break the habit?

Alessandra

Dear Alessandra,

"Mirror face" can be such a difficult habit to break. But there are a few tricks that might make the process easier.

As silly as this sounds, when you're taking class, pretend you're onstage. There's no mirror when you're performing, and bringing that mind-set to class will help you stop relying on your reflection. Picture yourself in a beautiful costume and headpiece; envision an audience watching you.

Remember, too, that looking in the mirror isn't the only way to determine if your lines are good. When you hit a strong technical position, focus on the feel of what your muscles are doing. The more you can become aware of how steps should feel, rather than look, the less reliant you'll be on the mirror for self-correction.

And whenever you can, dance facing away from the mirror—that's the simplest way to break the "mirror face" habit. It definitely feels weird at first, but eventually you'll learn to trust yourself without consulting your mirror doppelganger.

For more of Katie's helpful tips and advice, click here.

You don't know the true meaning of "holiday spirit" until you've watched the Radio City Rockettes and Ciara co-teach a dance class.

We hold this truth to be self-evident: The world-famous Rockettes and R&B/pop star and pretty darn good dancer Ciara are the queens of their respective realms. So what happens when these regal showbiz royals join forces to celebrate new jewelry inspired by the Radio City Christmas Spectacular? The most epic dance class ever, that's what.

Earlier this month, a small group of editors was invited to the Rockettes' official rehearsal studio at Radio City Music Hall to learn an excerpt from the Christmas Spectacular's new-for-2018 finale, "Christmas Lights," as well as a few eight-counts from the choreo for Ciara's single "Dose." No pressure!

The occasion? Pandora Jewelry designed several sparkly baubles to celebrate this season's run of the Spectacular, including an ornament inspired by the Rockettes' costumes for the beloved, long-running tap number "The Twelve Days of Christmas."

Rockettes admiring the 2018-exclusive ornament that their costumes inspired. (courtesy The Madison Square Garden Company & Pandora Jewelry)

We can't decide which moment we're most obsessed with: This clip showing Ciara holding her own on the Rockettes' signature waist-high strut kicks and eye-high jump kicks...

...or this one, with Ciara coaching the group on the opening of "Dose"...

Honestly, the winner is probably this oh-so-simple yet fierce moment. Together, the Rockettes and Ciara make SLAY bells ring.

17-year-old Autumn Miller is one of our (and over 900 thousand other fans') favorite dancers to follow on Instagram, where her bubbly posts include insane turning combinations, beautiful dance shots, and adorable family snaps. Turns out Autumn is just as fun and chic IRL. We got the inside scoop on how to steal her California-cool studio style.

How would you define your in-studio style?

When I'm in technique class, I wear something body-conscious, like a bra top and leggings, with my hair pulled back in a slick, low pony. If I'm in hip hop, I like to include more baggy, trendy items, and wear my hair down. For auditioning, I like an outfit that's sporty but definitely still classy, like a super-cute crop top and sneakers. In rehearsals, I usually wear all black, to help the choreographer see things more clearly.

How has your style evolved over the years?

It's gotten more relaxed as I've grown personally. When I was really little, I needed to be super-matchy. I recently saw a photo from my competition years where I was in this pink polka-dot top with polka-dot shorts and a pink neon bow in my hair. It was a mess!

Does social media affect what you choose to wear?

Honestly, sometimes it does. I have favorite outfits like everyone else, but I don't want the same look to show up 300 times in my grid! I try not to worry about dressing for Instagram, though. It's more important to confidently be yourself, and not care about what anyone else thinks.

A version of this story appeared in the December 2018 issue of Dance Spirit with the title "Get Her Look."

This Louise Apparel leotard is as cute as it is comfortable. And since Louise Apparel knows that each dancer's body is different, they customize their leotards to the measurements and needs of each dancer. Enter below for your chance to win a customized leotard that's as unique as you are.

As dancers, we're a group of super-passionate people. And because of that, we can sometimes snap when people judge us unfairly or do something we just can't stand. Here are 10 things that make all dancers really angry.

When a Commercial Casts a Non-Dancer in Pointe Shoes

This happens ALL. THE. TIME. There are so many dancers out there who would be glad to promote your beauty products while wearing pointe shoes in the correct way.

When We're Stereotyped as Being Snobby

In the wise words of Ariana Grande: Thank you, next...

When the Taps on Our Tap Shoes Get Loose

Grab the screwdriver.

When People Ask Us to Dance/Tilt in Public

We save the flexibility for the studio.

When Our Tights Keep Ripping

At this point, we might as well just invest in tights. Capezio, hit us up.

When Someone Shows Up to Class Without Having Rehearsed 

Seriously!? Never show up to class without having practiced your steps. Everyone will be able to tell.

When We Fall Out of Our Turns

RIP to our perfect triple pirouette.

When Someone Says Dance is Easy

Whoever said this needs to be cut out of your life ASAP.

When We Don't Get a Solo 

In the words of Sharpay Evans: "This is not what I want, this is not what I planned. And I just gotta say, I do not understand!"

When Someone Asks If We're Going to Get a "Real Job"

...literally never speak to us again.

It's a cliché because it's true.

Doctors in the United Kingdom will soon be able to prescribe dance classes or other artistic experiences to patients suffering anything from mental health struggles to lung conditions, according to The Times. This initiative, which the British government is calling "social prescribing," is one part of a new preventive health strategy in the UK that will educate general practitioners on guiding patients toward treatment in the form of experiencing or participating in the arts.

Y'all already know how dance changes and improves lives. And the research supports this idea: A study conducted in south London found that dance workshops helped young adults at risk of bipolar disorder, schizophrenia, and other mental health challenges. Another research study found that practicing partnered dance reversed some symptoms of cerebellar ataxia (an extremely serious brain disorder) in a patient who'd had the disease for 15 years.

A similar program was announced in Montréal in October, allowing patients to visit the city's Museum of Fine Arts for free. Next, we're hoping our own stateside government will put similar faith (and funding!) behind the healing powers of dance and the other arts. After all, as British Health Secretary Matt Hancock said, "We should value the arts because they're essential to our health and wellbeing. Access to the arts improves people's mental and physical health. It makes us happier and healthier." One more time for the legislators in the back!

We're nearing the end of "Dancing with the Stars: Juniors" and we're more than a little sad about that. But as the end of the competition nears, the dancing has been taken to the next level. The technique is pretty close to perfect and the performance quality from these little dance darlings is equal to that of the pros! We'll admit we're not jealous of the judges as they score these dance prodigies. It was hard enough to pick one stand-out performance of the night. These kids are talented dancers and the winner is anyone's guess at this point!

Sky Brown and JT Church's Argentine tango really stood out this week. These pint-size performers were on fire as they performed this technically challenging dance. Sky's maturity and passion took front and center during this routine and we couldn't look away. She pays attention to the details and has the poise and passion of dancers twice her age. What I love most about watching this couple, though, is the fact that they make the traditional steps as exciting to watch as the lifts and trick steps. And that's the sign of a true dancer. Every week Sky improves by leaps and bounds, and at this rate, she'll be ready to join the pros on "DWTS" next season.

Sky & JT's Argentine Tango - DWTS Juniors www.youtube.com

Showstopper sees all different dancers from across the world at their dance competitions. They understand sometimes it can hard to know how to stand out among the 100s of dancers that perform on their stages.

With some of the most experienced and knowledgable judges in the industry, Showstopper asked their judges for their best advice on how to put on a showstoppin' performance. Here's what they said…

"The originality of the routine. How many times have I heard the song you're dancing to that day? Is your choreography unique? Originality compared with strong technique and showmanship are what always impress me!" - Melanie Buckley

"I think the most memorable dances are the ones that take a piece of me, the ones that move me to a different place and tell me a story that I can see unfold onstage. Each piece of choreography is a reflection of the teacher that taught the dance so it's also a peek into their innermost thoughts." - Dena Rizzo

"The most memorable routines, for me, are the performances that evoke an emotional response within me as an audience member. I love to be moved by a story. Dance is art and dancers are artists. Whether it's a story of love, loss, courage or fear, performers have the amazing ability to communicate every emotion." - Kristin Marie Johnson

"I will always remember the routines that are not like everything else. Creativity. Routines that push the envelope so to speak." - Debbie DiBiase-Wood

"A memorable routine is one that leaves me wanting to see it again and again and again. It could be outstanding lifts, unforgettable turns, out of this world flexibility, the energy and excitement of movement, or the surprise of 'how did they do that?'. There are performances I still remember from 15-20 years ago that are etched imprints into my psychic." - Kelly King

"A unique element is always good, but I really love pieces that take me on a ride. They bring me to another world. That could be an emotional journey, a spectacular display, or a more abstract picturesque piece." - Michelle Hammar

"I love to see how the dancer connects with the audience and judges. Make eye contact, be super confident, and OWN that stage! This is their moment to shine, and if the dancer is truly confident, their passion will shine through the emotion and choreography." - Kara Lozanovski

"I know that this is said a lot, but have fun when you're performing. Reflect from time to time on why you dance, and where your passion stems from. The technique and skills will develop over time, but if you're not loving what you do… we can tell!" - Melanie Buckley

"I encourage dancers to be themselves and dance from the heart. As a dancer, be inspired by others, but dance from your soul. Comparing yourself to others, or trying to dance like them can detract from finding your own voice as an artist. Whether competing or dancing professionally, technique is important, but so is connecting with your audience. Dance is a gift; enjoy telling the story." - Kristin Marie Johnson

"Sparkle! Dance from the heart. Do the best that you can do and leave it on the dance floor." - Kelly King

"Be confident! This is YOUR moment to shine, so give the audience and judges the performance of a lifetime! You've worked so hard technically, physically, and mentally to get to this point, so just enjoy it! There is nothing more satisfying than watching a dancer finish their routine and then run off the stage, so happy, surrounded by LOVE from their teachers and teammates!" - Kara Lozanovski

"The best advice I can give is be you, be authentic, and show me how much you love being onstage. I want to see you leave your heart and soul with me. It is also important that as a group you are all striving for the same goal and that you are all in sync and strong as a group. There is power in numbers." - Dena Rizzo

"Truly enjoy every wonderful moment that you get on stage. This is your time to shine! The judges are on your side. Know that they want to see you do your very best." - Eileen Grace

"It's a tie between originality and technique!" - Melanie Buckley

"Of course, I always look for strong technique. Also important is the commitment to the routine as well as the clean timing and precision." - Debbie DiBiase-Wood

"To say what the number one thing to look for is difficult. Of course, technique and training would be the most obvious answer. However, I love passion and story telling. A routine that captures emotion. Nothing compares to being swept away by a dancer who lives in the moment of his or her performance. I've seen many dancers with exquisite technique, but no heart. Amazing technique plus amazing feeling equals Crystal." - Kelly King

"It is hard to name just one thing I look for! Feeling the excitement, enthusiasm and energy from the dancers is very important. Are they fully invested? If I have to sum that up in one word, it would be energy." - Michelle Hammar

"The number one thing I look for while judging is EMOTION. I love to see how the dancer connects to the choreography emotionally by breathing through the movement and living in the moment, like poetry in motion! Finish every movement to the fullest capacity and let your technique shine through. This is YOUR moment. I also love to see their personalities explode through the story line of the choreography. :) This truly connects the dancer to the choreography in an artistic way, too. Push your limits and be the beautiful dancer that you are!!!" - Kara Lozanovski

"Connection. That the dancer is consistently connecting her or his technique with her or his artistic sense." - Caitlin Abraham

GET READY TO TAKE THE STAGE | Showstopper's 2019 Regionals Competition Season www.youtube.com

Join the Showstopper stages this 2019 season. At competitions, you will receive full reports and live video, voice feedback from the judges on each of your performances. For 2019 tour dates and to register head to www.goshowstopper.com.

For some high school students, the thrill of dancing away from home doesn't end when the summer is over. In fact, those who attend residential performing arts high schools live in dorms, work with esteemed guest artists and faculty, and spend half of every school day in a dance studio—from September to May. Offering a true conservatory experience, these schools can transform your technique and provide unique performing and choreographic opportunities.

Of course, there are some drawbacks: In most cases, boarding school means you're living away from home—and your home dance studio—and you might not be as likely to attend the latest "It" convention or take as many classes outside the classical ballet and modern canon. And the cost of tuition plus room and board can be prohibitive. But if you've got your sights set on a college or conservatory program, or are aiming for a company trainee position post-high school, considering a year-round high school for dance might be worth it. Here are five residential performing arts high schools you should know about.

University of North Carolina School of the Arts

Offering both high school and college-level programs, University of North Carolina School of the Arts allows dancers the opportunity to concentrate in either classical ballet starting in 9th grade, or contemporary dance in 11th grade.

Located: Winston-Salem, NC

Student Body: 101 dancers out of more than 260 high school students total; there are more than 1,000 additional students on campus in the college and graduate school programs. 20 percent of the high school dancers commute to campus.

Financial Aid: Residents of North Carolina receive free tuition. Merit-based scholarships are granted, and some need-based scholarships are also available.

Faculty: 16 full-time dance teachers; recent guest artists include American Ballet Theatre principals Misty Copeland and Isabella Boylston, and choreographers Doug Varone and Helen Pickett.

Alumni Activities: Most students continue on to college dance programs throughout the U.S., including University of Southern California, SUNY Purchase, and Butler University, while some have headed directly to dance companies. Yaman Kelemet, a 2017 graduate, is now a soloist with the Slovenian National Ballet, and Sierra Armstrong, who trained at UNCSA's preparatory program before attending its high school, joined ABT's studio company in 2016 and is now in the corps de ballet.

Fast Track: "Each year, several high school graduates return to UNCSA for college," says dean of dance and former ABT principal Susan Jaffe. "Students who completed at least one year of high school at UNCSA can earn a BFA here in three years."

Famous Grads: ABT's Gillian Murphy and Blaine Hoven, New York City Ballet's Claire Kretzschmar and Megan LeCrone, and choreographers Camille A. Brown and Trey McIntyre

Idyllwild Arts Academy

About a two-hour drive from L.A., Idyllwild Arts Academy first opened its doors in 1946. In addition to dance, the school's 318 residential high school students can major in varied arts programs such as creative writing, fashion design, or film and digital media.

Located: Idyllwild, CA

Student Body: There are 30 dance students, and most live on campus. Out of the school's total population, 278 students board, while the others live in the area.

Financial Aid: Available; scholarships are based on talent, academic merit, and need.

Summer Study: Idyllwild offers summer intensives for dancers ages 9 to 18, and while attending one won't necessarily give you a leg up on acceptance to the year-round program, "it's a great way to be introduced to life at Idyllwild and get to know faculty and current academy students," says Andrea Chesley of the school's dance and theater admissions office.

Faculty: Eight full-time faculty members; recent guest instructors include former New York City Ballet principal Jock Soto, former Limón Dance Company member Dante Puleio, and former Paul Taylor Dance Company member Orion Duckstein.

Alumni Activities: "100 percent of our students attend a university, conservatory, or professional program," says Chesley. Recent grads include Hamburg Ballet's Ricardo Urbina, Princess Grace Award winner and AXIS Dance company member Lani Dickinson, and Brooklynettes dancer (and former DS cover girl!) Anna Smyczynski.

Interlochen Arts Academy

The boarding arts high school—just one piece of the performing-arts puzzle at Interlochen that also includes multiple summer programs, continuing-ed arts courses for adults, a public radio station, and a renowned presenting organization—offers a ballet-based program for dancers in grades 9 through 12. There's also an optional postgraduate year that allows students to more fully prepare for college, conservatory, or professional life. "It's a robust program that's centered on classical ballet technique," says director of dance Joseph Morrissey. "It's catered to students who want to go to college for dance, or who are hoping to join a dance company in the near future."

Located: Interlochen, MI

Student Body: 42 dance majors; 500 total high school students. 94 percent of students live at Interlochen; 6 percent commute.

Financial Aid: Available; scholarships are also available.

Faculty: Four full-time faculty members; guest artists and instructors during the 2017–18 year included former Merce Cunningham Dance Company member Dylan Crossman, hip-hop choreographer Kenya Clay, Limón Dance Foundation répétiteur Pablo Francisco Ruvalcaba, New York City Ballet's Craig Hall, and contemporary choreographer Loni Landon.

Alumni Activities: Roughly 90 percent of graduates enroll in some of the best college/conservatory dance programs; in the last three years, students have gone on to attend Juilliard, SUNY Purchase, New World School of the Arts, and San Francisco Conservatory.

Famous grads: Alvin Ailey American Dance Theater's Fana Tesfagiorgis, Hubbard Street Dance Chicago's Alice Klock, choreographer Sydney Skybetter, Dance Theatre of Harlem's Derek Brockington

St. Paul’s School 

St. Paul's School is one of the most prestigious academic boarding schools in the country—and it happens to have a pretty stellar dance program, too. While the school's emphasis on scholastic rigor differs from other performing arts schools, students must audition for acceptance to the dance program, and many go on to pursue dance in higher education.

Located: Concord, NH

Student Body: Of 530 total students, there are 15 to 18 full-time St. Paul's School Ballet Company (SPSBC) members, an audition-only year-round program that can be used as athletic participation credit at the varsity level. 100 percent of students—and all faculty members—live on campus.

Financial Aid: Need-based financial aid is available; seven regional merit-based scholarships are also available.

Faculty: Two full-time faculty members; visiting artists in 2018 included former Merce Cunningham Dance Company member Jamie Scott, Twyla Tharp Dance's Alex Brady, and BalletX's Caili Quan.

New Familiar Face: Former ABT Studio Company director (and former Dance Spirit editor in chief) Kate Lydon joined the faculty of St. Paul's School this year, with a goal to provide SPS students with "top-notch ballet training and a thriving visiting-artist program," she says. "I want the dance program to be a place filled with intentional work, inclusivity, creativity, joy, and respect."

Alumni Activities: "Recent SPSBC students have attended top-tier universities with dance programs, including Barnard College, Columbia University, and Princeton," says faculty member Courtney Peix-Barros.

Walnut Hill School for the Arts

Located just outside of Boston, Walnut Hill School for the Arts emphasizes classical technique, with dancers taking one ballet class, plus pointe or men's technique, each day. While two-thirds of the graduates head to college for dance, select students participate in the Butler Fellowship program at Ballet Austin, a two-year traineeship that allows students to rehearse, perform, and tour with the company and Ballet Austin II. "We're able to offer opportunities—because we're a school for the arts, with five arts majors—that students might not otherwise get at their home studios," says director of dance Michael Owen. For example, Walnut Hill offers a choreography elective that pairs junior-year dancers with young composers in the music department, allowing them to collaborate.

Located: Natick, MA

Student Body: 50 to 55 dance students; 285 total students. 80 percent of students live on campus.

Financial Aid: Need-based aid is available; the school does not offer merit-based scholarships.

Faculty: 13 full-time dance instructors; the dance department welcomes 12 to 14 guest teachers each year.

Alumni Activities: Roughly two-thirds of students head to college for dance. In addition to the Butler Fellowship with Ballet Austin, Walnut Hill also partners with the dance division at The Boston Conservatory at Berklee, offering high school graduates the opportunity to earn a BFA in dance performance in three years instead of four.

Famous Grads: San Francisco Ballet's Joseph Walsh, L.A. Contemporary Dance Company co-founder Kate Hutter, and Zoe Scofield of zoe | juniper

A version of this story appeared in the December 2018 issue of Dance Spirit with the title "Living And Studying Where You Dance."

Congratulations to the November Cover Model Search Editors' Choice video winner, Diego Pasillas! Catch his solo below, and enter the Cover Model Search here!

The Violent Man www.youtube.com

Alvin Ailey American Dance Theater recently hosted their first Choreography Unlocked Festival, where artists in the business of creating dance gathered to immerse themselves in workshops, performances, and panel discussions. Young choreographers learned tips, tricks, and all about the creative process of choreographing from AAADT's Artistic Director Robert Battle and other choreography experts, including Jawole Willa Jo Zollar.

Choreographers gathered at Alvin Ailey Studios for the Choreography Unlocked Festival (courtesy AAADT)

The festival emphasized collaboration and unity among fellow choreographers—encouraging artists to bounce ideas off of each other and foster community within their field. Dance Spirit caught up with five artists who attended and asked them to share the best things they learned. Check out the advice they'll carry with them forever, and the moments of exploration that meant the most—then start applying it all to your own choreography process or dance training ASAP!

Kyle Marshall, choreographer

"One exercise that stood out to me was one we did with photographs. They had a few dozen pictures in the room and we all walked around the space, picking up photos we connected with, that either told our own story or inspired us in the moment. It was really interesting because everyone picked different ones. It was cool to see how we each have unique attractions to things.

We also did a great improv exploration where we uncovered our unique ways of moving, and our unique histories of moving. We jotted down our past dance/movement experiences that we don't usually consider within our dance training. For me, it was marching band and musical theater. Then, we did improvisations with those ideas in mind. It was so fun to see everyone tap into their unique histories and grow into improv from that.

The best advice I took away, though, is that dance is a community. For young choreographers especially, it's important to think about how you create a community within your studio with your dancers. How do you create a space that feels inviting, where people want to do their best and feel supported? It could mean showing that a dancer is valued or listening to people's responses. It's important for choreographers to worry not just about making the steps, but about the environment and the atmosphere they're working in."

Esmé Boyce, choreographer and dancer

"The festival was so much about curiosity. To me, it was a reminder of how much we can learn from each other if we just open our minds a little bit and think from more of a 'what if' place. Jawole urged the group to see work in dance genres that some of us might not usually see. There are so many ideas that can be sparked from watching things that aren't what you usually watch. We have to expand our vision as choreographers and keep a very open mind. Every show you see and every engagement you have has the raw potential for ideas, and for opening your perspective and point of view.

One relationship building exercise we did that really stood out to me was when we started with a one-on-one relationship by introducing ourselves to someone and sharing something about ourselves. Then we merged into small groups and used ice breakers to merge into more serious topics. It then turned into a whole-room relationship where everyone felt comfortable, welcome, and open. It became a safe place where people could share and laugh and discuss things. There was so much warmth, and I think the dance community could use more of that. In dance and choreography, you're always trying to present yourself in the best light, so we end up not really discussing the stuff that's challenging or talking about creative problem solving. But it's so important.

My best advice for young choreographers is to just go for it. Make room for your imagination. There are many leaders in the field who want to see new voices be heard. Know that choreography is really important, and that you should keep making work even when the going is tough. Also, see everything, know your history, and follow your gut."

Parisa Khobdeh, Paul Taylor Dance Company dancer

"The Choreography Unlocked Festival became a place where ideas and ambitions were born. I laughed, I cried, I was inspired. The discussions felt like a gathering of old friends having a conversation at the kitchen table. We explored different ideas by ourselves in our own personal spaces, but by the end of the day, we were jamming in a circle with each other while dancers jumped into the center to explore their movement ideas. It was really, really rich witnessing these discoveries.

Tarell Alvin McCraney, who co-wrote the Oscar-winning film Moonlight, told us during the Nuturing New Voices panel (part of the festival's first weekend) that your work will be unique because there's only one of you. He pointed out that Hamlet and The Lion King have the same plot line, but that they're unique because of how the story is told. He said all stories are essentially the same and nothing is new, but it's your distinct way of telling that story that makes it as unique as you."

Hope Boykin, Alvin Ailey American Dance Theater company member, founder of HopeBoykinDance

"Being able to spend a weekend with so many creators and dance makers, most of whom I'd never met, was thrilling. I was reminded that we're a community, and should be supportive of one another. I'm now more determined to make myself available to see and support my peers' works and their creative processes. I often feel a sense of isolation, and I realized I wasn't alone in that. We need community as choreographers just as much as we need community as performers. We have to understand that the first try, work, production may not be the best. But with the right kinds of support, we can grow in our weaknesses and strengths.

The thing that left the greatest impression on me was truly understanding the benchmarks Jawole feels need to be met throughout the creation process. First, you actually must have a process. Then, comes the preparation and research. We also discussed the importance of really celebrating all of those involved in helping to make the 'process' come about."

Yusha-Marie Sorzano, Camille A. Brown & Dancers member, Alvin Ailey American Dance Theater alumni

"I had no idea what to expect going into Ailey's Choreography Unlocked Festival, but loved the experience. In truth, I didn't even realize how much I'd been missing in terms of community and support. One thing Jawole said that really stuck out to me was her urging us to 'create, create, create, because there's no reason not to.' I think that a lot of choreographers feel like someone needs to say to them 'you should be a choreographer,' or 'you have a gift for this.' The advice we got from the festival was, don't wait for a reason. Just go out and create."

Robert Battle (center, right) and Jawole Willa Jo Zollar (center, left) with participants at at the festival (courtesy AAADT)

It's pretty much undeniable that today's social-media-obsessed culture expects you to build your brand online—even as you're still building your skills in the studio. The positives of gaining exposure as a student are obvious, and posting your dance accomplishments may feel natural if you're already personally prolific on platforms like Instagram, YouTube, or Facebook.

But it's also very easy to put too much out there too soon. After all, once you hit "post," that content can essentially live forever on the internet, and Insta-fame won't necessarily bring you an instant career. Here's how to define yourself online and make sure your future in dance isn't defined by social media faux pas.

(Super)Zoom in on Your Goals

First, recognize that opening yourself up to a digital audience means cultivating a public persona. While talented dancers often start building their brands at a relatively young age, you're not ready to do that until you've really thought about what you want your career to look like. Identify your specific goals for the future, rather than daydreaming about how many followers you want.

"Social media can be an incredibly powerful tool," says Rachel S. Moore, author of The Artist's Compass: The Complete Guide to Building a Life and a Living in the Performing Arts and former executive director of American Ballet Theatre. "Deciding how to present yourself to the public should compel you to think about your current skill set, how you see yourself in the marketplace, and what your niche might be as a performer."

Some Styles Are More Social

Depending on the career you're hoping for, developing a social media presence as a young dancer might not be super-urgent. For example, a big Instagram following probably isn't as valuable if your goal is to join a classical ballet company, says Adam Sklute, artistic director of Ballet West. In fact, Sklute found that some of the company's savviest dancers avoided the distraction of social-media-as-marketing-tool until they became established professionals hoping to get noticed for guesting gigs or side projects.

Adam Sklute teaching at Ballet West's summer intensive (photo by Beau Pearson, courtesy Ballet West)

But some commercial choreographers and brands do scour the internet to see what talent—including young talent—is out there, says Jennifer Musgrove, head of the kids' department at Bloc Agency in L.A. If commercial success is your dream, the way you present yourself online could be put under a microscope. "A brand may be looking for a dancer with a certain following to potentially tap into your audience. Others may look to see how you're engaging with your social networks—are you commenting and talking with people? That may be very meaningful," she says.

Selfie Your Strengths

Ultimately, social media is useful for showcasing what you do best, so start by building a visual resumé. For a dancer who wants to capitalize on her versatility, that might mean showcasing videos and photos featuring a mix of dance styles. If competitions are your focus, share your milestones as you prepare.

Think of Social Presence Like Stage Presence

It's always off-putting when someone's social presence feels too curated and one-dimensional. Instead, try to be both authentic and polished online. "Fake or plastered-on emotions won't resonate with an audience, just as they wouldn't onstage," Moore says. "Share your genuine excitement about getting to learn a new variation or work with a certain teacher. Give people a window into the full experience, including pre-performance anxiety or your influences from other art forms. And be up-front about the fact that you have a lot to learn. When you do launch as a professional, you want to be seen as well-rounded and open-minded." In other words, human.

Act Your Age

You shouldn't have to act older on social media (or, for that matter, in the studio) to get noticed. "What's age-appropriate can be subjective, but at 13 years old, you're still a kid, no matter how talented you are," Sklute says. "Normally, if you're under 18, the people hiring you want you to be a kid," says Musgrove. "Part of treating social media like a business is knowing your demographic, and everything you post should be in line with that."

Besides the fact that, yes, there are bad people out there who target children, Moore says there's also plenty of time to be edgy and avant-garde when you're older. "Right now, it might be wise for a parent to be involved and aware of what you're posting on your public page," she says. "Then, you could have a private personal page that's just for close friends."

IRL Skills Matter Most

Obviously, during a live performance there are no second takes or filters to perfect the way your dancing looks, so maintain some perspective about what social media can do for you. "Young dancers should remember that you can have the greatest profile in the world, but your dancing has to hold up," says Sklute. "I've seen incredible videos, where a dancer is doing outrageous extensions on pointe, and it's fun to look at, but it's not necessarily going to get someone a job or scholarship." When you do get booked, all that will matter is what you can produce in the moment onstage. "Social media won't make your career," Moore says, "but it can help you build one."

A version of this story appeared in the December 2018 issue of Dance Spirit with the title "To Post Or Not To Post?"

Last winter, we told you all about "Finding Clara," a YouTube series produced by tween clothing brand Justice. It followed four BalletMet Academy students cast in BalletMet's The Nutcracker. This year, it gets even better: The heart-melting show has been turned into a full-length documentary. Finding Clara was released today for rental and purchase on Amazon, Google Play and iTunes.

Finding Clara Trailer youtu.be

The documentary follows four dancers (Alaina Kelly, Molly Rainford-Dreibelbis, Lauren Grace Onderko and Isabelle Lapierre, who range in age from 10-13) over the course of three months, from auditions to rehearsals to opening night. We see the young bunheads' struggles and joys, namely how they work to find a balance between school, homework, ballet and family... and an incident involving a wooden nutcracker and a trip to the emergency room. The 90 minute documentary expands on the web series with never-before-seen footage, including interviews with artistic director Edwaard Liang and BalletMet company members. Justice and BalletMet, both headquartered in Columbus, OH, are natural collaborators, and this film is a product of Justice's new entertainment division, Justice Studios, which hopes to build on the company's mission as a"destination for all things tween girl." We're hoping that means even more ballet content is on its way (last year they put out a series of ballet tutorials on YouTube.)

The four Claras. Courtesy Justice Studios.

While Finding Clara is geared towards a younger audience, the four dancers' enthusiasm and energy is infectious, and reminds ballet lovers of all ages of the magic of Nutcracker and the thrill of your first big role. We're giving away five copies of this new DVD (including some extra gifts) to Pointe readers; enter here to win!

Nia Sioux has been entertaining audiences with her fab dance skills since 2011, when "Dance Moms" first aired. Now, two music videos and an acting gig (on the daytime TV series "The Bold and the Beautiful"), later Sioux is proving that she's more than just a triple threat—she's a star. And last week when Sioux debuted in North Carolina Theatre's production of Aladdin and His Winter Wish, she was every bit that star. Sioux opened up to Dance Spirit about her transition from comp kid to a triple threat and offered advice for young dancers hoping to follow in her footsteps.

How did this opportunity come about?

As a little girl I'd go to several Broadway shows a year and that introduction made me dream of performing on a Broadway stage. My manager introduced me to panto theatre and I attended some Lythgoe Panto performances in Pasadena. When this opportunity became available I was eager to be a part of the production. I'm lucky to have a wonderful day job as a cast member on CBS' The Bold and the Beautiful that graciously permitted me flexibility so I could join the North Carolina Theatre cast as the princess in Aladdin and His Winter Wish.

(courtesy North Carolina Theatre)

How did being a comp dancer help you adapt to performing in a Broadway-style show?

There are definitely differences between competition dancing and Broadway dancing. Although competition dancing certainly helped me in refining my technique, performing in a Broadway show required me to concentrate on more than just choreography. There's a lot to remember. In addition to the choreography, I had to remember my lines, cues, and the right keys for singing. Being a fast learner also helped me adapt to performing in a Broadway show. Learning a new dance routine on "Dance Moms" each week was great training for theatre experience.

What's been your favorite part about performing in this production?

There were so many terrific things about performing in Aladdin and His Winter Wish. I had the opportunity to work in a wonderful Lythgoe Family Panto production with a talented cast and crew, while acting, singing, and dancing in a beautiful theatre, wearing wonderful costumes, in front of an engaging audience.

I also loved combining my love of acting, singing, and dancing. From an early age I've enjoyed dancing onstage, but now I get to sing and act as well. Blending all of these art forms is a lot of fun.

What was the hardest part?

There was so much to learn in such a short period of time. This was a full-scale production, but we only had a limited amount of time to learn the show. Since the cast is from L.A. and Raleigh we didn't even meet until we all arrived in Raleigh.

(courtesy North Carolina Theatre)

Reflecting on your time on "Dance Moms," what was the best thing that came out of that experience?

"Dance Moms" was an incredible experience. I've benefited so much from the show and I learned a lot from my years training at the Abby Lee Dance Company. Not only did I gain a tremendous following thanks to that platform, but I also developed a strong work ethic. I learned the value of discipline, how to take constructive criticism, and to apply critiques and corrections in a swift and professional manner.

What are your plans for the future?

I'm excited to go back to L.A. to resume my role as "Emma" on The Bold and the Beautiful, where I play an intern at a fashion company. I can't wait to film my new storyline for the soap opera. I'm also looking forward to creating and releasing new music in 2019.

What advice do you have for comp dancers who are looking to transition to Broadway?

Keep dancing, keep improving, and look out for opportunities when they present themselves. Be confident in your ability to succeed!

For some it's a holiday tradition, for others its an iconic spectacle, but no matter the reason, more than 1 million people will watch the Rockettes perform in the Radio City Christmas Spectacular each year. And though the production has been around since 1933, much of what goes on behind those velvety curtains and intricate sets remains a mystery. To curb our curiosity and find out what ensues when these leggy ladies aren't doling out their sky-high kicks, we got a backstage tour from the legends themselves.

From hair and makeup, to warm-up exercises, and costume quick changes (the fastest quick change in the show is a #mindblowing 75 seconds, by the way) we got a glimpse into the glamorous (and sometimes not so glamorous) world of the Rockettes.

WARNING: After watching this video you may have an even greater respect for these dancers and the hard work it takes to pull off such a magical holiday show.

It's holiday present time—and we're giving away every last item in our 2018 Gift Guide throughout the month of December! From warm-ups to Therabands, you could win all the things. So checkout our giveaways here and enter to win.

Cat Cogliandro's genius is turning paradoxes into powerful art. In her gestural contemporary choreography, vulnerability becomes strength and imperfection is beauty. Born and raised in Houston, TX, Cogliandro earned a BFA in dance from SUNY Purchase before moving to L.A. Cogliandro now teaches in L.A. and nationally, and choreographs for her company CATASTROPHE!, which was the second runner-up at the 2015 Capezio A.C.E. Awards. Here, Cogliandro tells DS where she finds inspiration. —Helen Rolfe

Traveling with family (courtesy Cogliandro)

Three years ago, I went on this great cruise around Asia with my parents. It was the first time I'd really traveled with my parents as an adult. I wasn't with any dancers; I was just being a totally normal human. I remember looking off the back of the ship into the water and being so inspired. I'm a Pisces, so it's my calling to be by the water. That was when I started to create to the indie rock group alt-J. I made a piece right after that trip, called Esmeralda, that was in my A.C.E. Awards show. It was about drowning, and probably one of the most powerful pieces that I've ever created.

Usually, it's that first moment of 'This song is talking to me!' that convinces me to choreograph. Sam Melo, the lead singer of my favorite alt/indie band Rainbow Kitten Surprise, is a dancer, too. There's something about their music where I'm like, 'Yeah, I know what he's talking about.' That's the music I connect to most, where I feel like the artist and I have experienced something very similar, or like they're singing to me. I also love Regina Spektor and old-school Ani DiFranco—just anyone poetic who speaks to me.

With Mike Esperanza (courtesy Cogliandro)

My favorite choreographer I ever worked with as a dancer was Mike Esperanza. I love the way he treats his dancers, inside and outside the studio. I bring snacks for dancers now, because that was something he did. We worked harder for him because he cared so much about us as dancers. I don't like to scare dancers. I've learned I can push them without making them question who they are as people. I want to up their self-esteem as much as possible.

Rehearsing "RIPE&RUIN" (photo by Joseph Spelman, courtesy Cogliandro)

Comedy really inspires me. My favorite movie right now is Just Friends. I love how kooky and weird Anna Faris' performance is. And I actually made RIPE&RUIN right around when I saw Wet Hot American Summer. The movie's quirky humor fed right into the opening of RIPE, where they're chanting and running around in the birthday hats.

Assisting Sonya Tayeh (courtesy Broadway Dance Center)

I have to give so much credit to Sonya Tayeh for where I am today. She taught me so much about how to be a professional choreographer: how to prepare, how to treat and push your dancers. Watching how she'd talk to and prep herself during "So You Think You Can Dance" was really inspiring. Working as her assistant was definitely one of the hardest and most educational moments of my career. I'd never really seen the commercial world before because I'd never been to L.A.­—I was a born-and-raised ballet, modern, and jazz dancer. I love her so much for what she taught me.

A version of this story appeared in the December 2018 issue of Dance Spirit with the title "Choreographer's Collage: Cat Cogliandro."

We caught up with dancing social media standouts who know how to self-promote, develop a presence, and share their experiences without letting the platforms take over their lives. Here's what they have to say about being wise social media mavens.

Kaycee Rice

In 2013, Kaycee Rice's life changed forever when Katy Perry tweeted a video of her solo, "Werk." Overnight, the then–10-year-old became a viral sensation. Now, at 16, Kaycee has more than 1.3 million followers on Instagram.

Despite her huge fan base, Kaycee has remained grounded. "I don't feel like I'm a big star," she says. "I'm just a normal person who loves what she does, and loves sharing it with the world." She focuses on using her platform to spread positivity—including through her #Weirdo campaign. "I post things that let people know that it's OK to be weird and awkward and true to yourself."

For Kaycee, part of being true to herself is keeping her feed age-appropriate. "Everyone has their own path, but I want to stay young as long as I can," she says. "I always get uncomfortable when I see kids oversexualizing themselves online, because I know they're just responding to pressure from society."

Timmy Blankenship

Eighteen-year-old Timmy Blankenship's social media accounts are packed with polished photographs, impressive dance videos, and laugh-out-loud-funny captions. The Dance Awards 2017 Senior Male Best Dancer's presence feels authentic because he posts not for the sake of likes, but instead to connect with his 12 thousand followers. "I use Instagram to get inspired by other dancers and choreographers," Timmy says. "There's so much out there that can help you grow."

Timmy admits he still feels the pressure of Insta-fame sometimes. "I always have to make sure the edits are right," he says. "But at the same time, I know that I'm the only one who really cares about that stuff. My real friends love whatever I share."

He tries to make proactive choices to keep Instagram from taking over his life. "I like to live in the moment, and I can't do that if I'm constantly on my phone," he says.

Ella Horan

Creative Arts Academy dancer Ella Horan's rise to Insta-fame may have skyrocketed just two years ago, when she began modeling for Five Dancewear, but when it comes to presenting herself online, she knows exactly what she's doing. Her feed maintains a consistent aesthetic, she posts high-quality photos, and she's engaged with her 61.4 thousand followers.

The 14-year-old's posts show the full range of her experiences. "I organize my life into different categories," she says. "That way people don't get annoyed, and I don't come off as obnoxious or overly self-promotional. It's about being kind, positive, and true to yourself."

Ella doesn't let the pressures of social media get in the way of her training, either. "I make time for social media in my routine, but the other stuff comes first," she says. And that means never using her phone during class. "It's disrespectful to have your phone with you at dance," she says. "It shows you think social media is more important than your teacher's time, and it's a distraction from your training."

Nicole Laeno

Hip-hopper Nicole Laeno, who boasts more than 500 thousand Instagram followers, has turned social media success into real-world success. Earlier this year, she posted a class video set to a Chris Brown song, and tagged him in it. Brown reposted it—and then invited Nicole to dance in his music video for "Tempo."

Most of Nicole's posts are class videos. "The industry is different now," Nicole says. "I used to dance without a camera in sight. Now, I rarely take a class that isn't filmed. It can be stressful, but it's also made me a stronger performer."

Twelve-year-old Nicole wants her feed, which is managed by her mom, to be age-appropriate. Since choreographers don't always tailor their classes to the youngest student in the room, that sometimes requires improvisation. "If the choreographer is OK with it, I'll make the combo more kiddish," she says. She'll also edit the clean versions of songs over her videos, to keep curse words off of her feed. "Having a following comes with responsibility, and I recognize that," she says.

Ryan Maw

Despite boasting more than 10 thousand followers on Instagram, tapper Ryan Maw is cool as a cucumber about social media. Opportunities like winning The Dance Awards 2017 Teen Best Dancer and making it to the Top 20 on "SYTYCD: The Next Generation" have helped his following grow organically, without obsessive engagement on his side. While he understands the power of social media, "I believe that real life, working with choreographers in person and at auditions, is what counts," he says.

Ryan's posts are mostly class videos he's proud of, jobs he's promoting, and sponsored content for Capezio. (He's a Capezio Athlete.) Fake-feeling advertising is rampant on Instagram, but Ryan's found a solution: "What I love about my Capezio sponsorship is they're actually my favorite brand of tap shoe," he says. "It's coming from an honest place."

Madison Brown

Last December, Madison Brown did a "10-minute photo challenge" with photographer Jordan Matter, and the video went viral. (It now has over 7 million views.) Suddenly, the two-time American Ballet Theatre National Training Scholar and two-time New York City Dance Alliance National Outstanding Dancer winner was on the social media map. Today—thanks, too, to her appearance on Season 2 of NBC's "World of Dance"—she boasts 28.5 thousand Instagram followers.

"I put in the effort to make my pictures and captions look good so I feel confident," Madison says. And she does so with help from her mom and dad, who monitor her Instagram account. "Don't hide what you're doing from your parents!" Madison's father, Redick Brown, recommends. "We aren't the coolest, but we can really help."

Thirteen-year-old Madison tries to keep things real on her account. "I like to show some of the imperfect things in my life," she says. "I posted a video of my solo back in February where I totally face-planted! I shared it because it was real and funny, and I got right back up. That happens, like, every day! I'm not perfect."

Tate McRae

Tate McRae's otherworldly extensions first hit our feeds in 2013, when she won Mini Female Best Dancer at The Dance Awards. Since then, she's taken third place on "So You Think You Can Dance: The Next Generation," racked up two more Dance Awards titles, and seen her Instagram fan base swell to more than 600 thousand followers. "My following has grown pretty organically," Tate says. "I stay active by posting every day, but it's not something I've tried to engineer."

While she didn't aim for Insta-fame, the 15-year-old isn't immune to its challenges. "I do struggle with comparison," she says. "The hardest thing is not to get caught up in what other people are posting. It's easy to get lost in their successes, but we should be grateful for the opportunities we have."

These days, keeping up with social media has become a significant time commitment for Tate: She posts weekly on YouTube and daily on Instagram. "It's like a full-time job on top of school and dance," she says. But she keeps it from taking over her life by ignoring "like" counts and comments. "I get the job done, post, and then turn off notifications so that I can focus on my training."

Taylor Sieve

Taylor Sieve made it to the Top 3 on "So You Think You Can Dance" Season 14, danced with Shaping Sound, and won Senior Female Best Dancer at The Dance Awards in 2016. And her social media following—100 thousand strong on Instagram—matches her impressive resumé.

Despite all the attention, Sieve works to maintain her privacy. "I'm only going to give people a little glimpse of my life, especially when it comes to my relationship with Lex," she says. "Lex," of course, would be Sieve's boyfriend Lex Ishimoto, the Season 14 winner of "SYTYCD." "We don't need social media to validate us."

According to Sieve, social media influencers need thick skin. "Everyone has an opinion about everything on social media," she says. "But you have to remember that they're only seeing your snapshots, not the process behind them. You have to learn to be OK with the fact that you're always going to be judged—that's true when you're performing, too."

A version of this story appeared in the December 2018 issue of Dance Spirit with the title "8 Stars Doing Social Media Right."

Every scrap of news coming from the highly-anticipated West Side Story remake has been nothing short of thrilling, tbh. First, there was the open casting call here in NYC for dancers to play the Jets and Sharks. Next, we heard the unsurprising-yet-awesome news that Justin Peck will choreograph the new movie. Now, there's possibly the most exciting news flash yet: You (yes, YOU) could play the star-making role of Maria opposite the dreamy Ansel Elgort as Tony!

If you are...

• Latinx
• Between the ages of 15 and 25
• Have a strong dance background (duh, you're a DS reader)
• And can sing!

Well then, get yourself to the Anfiteatro Julia de Burgos at the University of Puerto Rico's Rio Piedras campus on Tuesday, December 11 at 10 am. You should prep a short cut of a song that shows off what your voice can do. (You'll have to sing a cappella.) And don't forget to bring a headshot and resumé stapled back-to-back, including your contact info!

No immediate travel plans to Puerto Rico? You can also be considered for the role of Maria by emailing a video of yourself dancing and singing to westsidestorycastingsearch@gmail.com. Make sure to include contact info, a headshot, and your resumé. Merde to all the Broadway babies going out for roles in the new WSS!